COMMUTER MOTIONS

Traveling from the industrial town of Easton, Pennsylvania, through sparsely populated western New Jersey, and into the cacophony of New York City, Commuter Motions is a photography series that develops from the experiential capture of an eighty-mile commute.  By opposing the usual fixity of photography, the series attempts to capture the energy and movement of that commute using an almost Bergsonian approach, which, through time-lapse, builds images from segments of a continuous dynamic.   These photographs are not about the specificity of a “decisive moment” but are more in line with the thoughts and theories of late 19th and early 20th-century artists, who were immersed in the concepts of perpetuity, fleeting moments, change, chance and dynamism.  Time surfaces as a fourth verity, adding to Robert Adam’s three: geography, biography and metaphor. It is that fourth that which gives us not a moment in time, but instead, a cross-section of a continuum. The usually narrow focus of our memory is substituted with an accumulation of peripheral vision, which creates an image reflecting the gestalt of these movements, a gestalt we perceive and experience but do not visually remember.   Through this unusual form of capture, Commuter Motions frames the labyrinth of oscillating movements of our highways, bridges, and cities into photographs that reflect the élan vital of our daily commute.